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If these Mysteries are True

by Bobby Bluff

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1.
Chair 04:26
She was sitting on a chair in the middle of the street Then later she was there in the lift When I couldn't find my keys, she had em in her hand if she'd been in my flat, she hadn't left a gift well I'm telling you just how it is the government's responsible for this I was looking for my wallet, when I found a patch fumbling round for the switch Someone had been through my underwear and my sixth sense was starting to itch. I'm giving you a feel, how it is the government's responsible for this Allies advise me to pull the blinds she's never really gone, because the heating's on my radio is tuned to a station on the moon if these mysteries are true deserters will never make it home They lied in dispatch - there'll never be an end to the war She dropped off a note with Ali from the deli slipped between the lettuce in my wrap you'd better not forget, they've frozen time and my body clock's starting to tick we're going to get our stories split the government's responsible for this My eyes, so tired when I pull the blinds the aspidistra sways twitching side to side there's been a breakthrough, perhaps news has got through but if these mysteries are true I'd be the last to be told They lied in dispatch - there'll never be an end to the war Surprise surprise when I pull the blinds she's never really gone, because the heating's on my radio is tuned to a station on the moon and so if these mysteries are true deserters will never make it home They lied in dispatch - there'll never be an end to the war An end to the war
2.
A flash of ochre a splash of red a cut of lime burgundy thread Gotta love Vintage Vince on the rack of shirts he feels the width he goes the extra leg He's always happy fifteen minutes to kill scouring the crockery In a charity thrill Gotta love Vintage Vince his hands smoothing ornaments picking bone cutlery in his natty twill He makes the most out of days of yore when people made things to last when style was king of the city strides he rakes his fingers through the mundane past He's always jolly with a gingery smile looking for antiques in the candlestick pile He can suss out curtains textiles are his bag he knows his jewellery in his charity swag He makes his own style from this and from that churned out by the old-fashioned factories where grandma worked and grandad wooed and uncle embroidered his everyday tales Vintage Vince has his soles nailed up ‘neath his Oxford brogues He sure rocks the look His spirit brightens up the bagel queue so pleased to see him, he says 'how do' Vintage Vince has Trojan in his shoes Euro pop And the Moody Blues the rarities and the Northern soul the jazzmatazz the post war rock and roll Vintage Vince wants more – yes please always a home for more intricacies of the avant garde with the curling sax somewhere Vince will find a gap in his bedsit or his lock up in his bedsit or his lock up he's a man with time and space for the whole wide universe
3.
Council 04:08
I whistled to the waves on the open marsh where sea spray etches the dune, A seagull told me the way to go I filled my cap with the fisherman's tune I would say how do to the governors and chat to the cormorant black jumping my way to the Kilda's shop licorice and sherbert lollypop snack. A black cat showed me the line to take and I followed its tail up the hill there I could view our ruddy boat town if it wasn't for Council I'd be there still. When they set a guard on the water tap. We waited till he'd gone home Our mothers said 'Now Boys' so we rushed to bathe our heads in clear clean foam. In the war, a rocket flattened two cows left a crater oh so wide Broke our windows and knocked me down you could fit two double deckers inside. A black cat showed me the line to take and I followed its tail up the hill there I could view our ruddy boat town if it wasn't for Council I'd be there still. Mushrooms on the moorings, farm egg baps red moon rising on furrowed furls Warming our hands on paraffin lamps Squeaking wheels, the kerosene man coming right now with his rattling fuel Back down the towpath with empty cans the parrot screaming 'I love you' A black cat showed me the line to take and I followed its tail up the hill there I could view our ruddy boat town if it wasn't for Council I'd be there still. We slip and float through our dinghy strides while Rusty the kitten tumbles down. Council is coming with his papery mitts to improve our kipper boat town. I dream of his face, big as a dog staring mean mocking my soul. We've got somewhere sensible to shut you in let Council take control.
4.
5.
Mrs Brown 03:13
Do not play with good Mrs Brown a simple dame from mermaid town. Her three part tongue will cut you down she'll bind herself to you with her game. Keep quiet no words as evening dies You're allowed to grumble you can sob and sigh. Don't speak no sense you'll tell no lies she can't bind you to her with her game. It's unearthly magic a conjurer's trick it'll twist and trap them as fall for it it'll catch even Romans in its net she'll bind herself to you with her game. Snail, snail come out of your shell She'll whisper to you in a grinders' spell She'll tease and smoke and flush you to hell stay down silent in your hold. There's a spirit in the ring there's a voice in the cup and its looking for the ear that listens up keep your purse quiet and don't stand up stay down deep in your hole. If the gentleman wind wants to call you out or the rain hammers down the virgin's spout or the hail hits your head like an iron clout stay down silent in your hole. Don't buy the thorns of a victim's crown You'll have to follow sweet Mrs Brown Dragged through the streets of Mermaid Town she'll bind you to her with her game.
6.
Fleur Du Mal 03:41
If you be my Fleur du Mal I'll be your Baudelaire Compose you verses in the bath and stroke your salty hair. I'm your empty skeleton and you're my cutie mouse you run around my bones and squeak within my bodyhouse We'll luxuriate in thoughts of death Just like Baudelaire Bohemians in reverie who love to love despair I'm your empty skeleton and you're my cutie mouse you run around my bones and squeak within my bodyhouse Outside the tempest storms and blows while we laugh at the rain together in the twilight dim happy in our pain Mon coeur, mon coeur, light your own lamp and shine it round the room. Lead me to the bitter end where all the flowers bloom I'm your empty skeleton and you're my cutie mouse you run around my bones and squeak within my bodyhouse I'm your empty skeleton and you're my cutie mouse you run around my bones and squeak within my bodyhouse
7.
Hump 03:19
It'll be a bit better just over this hump I know it didn't work out well We're back on the move and the sun's coming up and this morning's got a good smell. The hawthorn is blooming like a milk maid's skirt and the traffic is swimming along. I know that it's dirty in the back of the van but hold on and it won't be long. just over this hump The sweets have gone sticky in the tin but they've still got the sugar in, I like the feel of the hard boiled nut on the tip of my tongue hold on and it won't be long. The flowers of the hedgerow, the worker bees, the hum of the road as the bow bends good. The flap of the winds and the coo of the birds, Taking a break in the bluebell wood. just over this hump Our day is blessed with the hope of peace and the air is jigging to the jib of the beat New plans are written in the kettle of kings there's another home for us stuck over the hill. just over this hump Our day is spiced with the taste of avens alexanders and apples steaming on the dash. The indicator's jerky but we'll turn off left when we run out of money and the tank is spent. And the tank is spent
8.
She's dead and gone, let her be, let her be She's dead and gone, peacefully, peacefully She's dead and gone, I have to carry on but Sunday's for sentimentality Three roses and wine for her eyes, let her be Three roses and wine for her eyes, peacefully She's dead and gone, and we carry on but Sunday's for sentimentality I always sing alone in my turn, in my turn I know all the ballads word for word, every word They roll round the room, fall back and resume But Sunday's for sentimentality A strong breeze is blowing with the sun, with the sun A strong breeze blows in from the South, from the South Let's have one more song, for the soul that has gone But Sunday's for sentimentality Jal on, Jal on Jal on, Jal on Jal on, Jal on, Jal on Tomorrow
9.
Big Man 04:12
Big Man Big Love Happiest on the road One hand on the wheel The other on the postcode Brown eyes in the headlamps kipping in the bypass camp Keep it going for the Big Man from the back it was your hair winding round itself in curls but it wasn't your wide face at all And I thought I heard you say, 'It wasn't me this time, okay.' Big Man, Big Man A grey guitar case in your hand and your shoes slashed open to the sand I turn around when a door gets slammed and I think I hear you say, Give us a tune come on let's play Big Man Big Love Happiest on the road One hand on the wheel The other on the postcode Buff the misty windscreen clearer Brown eyes in the wing mirror Keep it going for the Big Man A jumper scrunched on the narrow seat neighbours' cackle in the street A crackle of news with a Portuguese treat and I thought I heard you say 'I'm going to sleep in late today' The acid rains and the glaciers melt your trousers falling for need of a belt a crumpled T-shirt that really smells and I thought I heard you say 'I'll have that one if you can pay' The biggest shadow in the Western world the greatest smile since flowers unfurled blowing in the wind of the underworld and I thought I heard you say 'this tune is one we have to play' Big Man Big Love Happiest on the road One hand on the wheel and the other on his heart Sons of rest at the end of days Brown eyes searching in the flames Keep it going for the Big Man Keep it going for the Big Man Keep it going for the Big Man Big Man Big Love Oh, keep it going for the Big Man
10.
Grey Wolf 03:29
Grey wolf, hold out your hand, we will be friends, I understand we've taken everything you had and driven you completely mad My dear, I wonder if there could be a burntout hovel in your heart for me one of the enemy whose race has made your land a hostile place. Grey wolf I saw you scuttle by and hide your mush behind the carts I caught your almond eye Grey wolf I saw you scuttle by If you don't forgive me I'll show you how I cry. Grey wolf, I know your name each letter stamped with shame I wrote it in my father's book the one my mocking mother took. I turn it around in the bloodstained lamp, twirling the pages as I stamp grey wolf won't you waltz with me so my cruel conscience lets me be Grey wolf I felt you flicker by you watch me from above the cars keep fixed your almond eye Grey wolf I felt you flicker by why would you forgive me? I'm always the bad guy.
11.
Bakt 04:52
In this bag there's sewn the past You know what's inside is bric a brac Hung round a neck, underneath the clothes you can't sell it for coins, only give it away My bakt is hidden inside this bag the affairs of men from the distant past A lover's sea shell and a pebble with a hole You can't sell the dark, only give it away If I wandered for holiday pay I would not part with what's inside for a meal, for a tune on a violin that only a toby child could play unless you have faith, the bakt can't work but if you have hope the oracle talks My bakt is washed with a mother's tears while the torturers rarely stand A lump of cheese and a loaf of bread the blast of a trumpet is as fast as a man My bakt is hidden from the eyes of them as would rip it apart from my chest where a shoestring dangles it over my heart. The joke after all is the talisman. If I climbed like an able hop It would not spare me from the shriek that a toby child makes when he plays he understands what the dead might say above the roaring storm it talks. If I have hope the oracle works. What luck today? (None sir!) What luck today? (Thrice none) I never have any luck my son. The good times are all done. Don't moan or they'll be gone. I keep my fingers curled around my amulet of blood red fat. In this bag is hidden my bakt. If I wandered from field to field I would not part with what's inside for a meal, for a tune on a violin that only a toby child might play unless you have faith, the bakt can't work… If I had a friend to share my stable she would not spare me from the poke that a toby child makes when he plays he understands what the dead might say above the roaring storm it talks. If I have hope the oracle works.

about

2nd Bobby Bluff Album

'Good album.' JimSclavunos (Cramps, Bad Seeds)

Reviews of first album, 'Introducing Bobby Bluff'

'Truthful tunes rooted in real life. Songs that swagger out the speakers, smack you round the ears, then leg it before you even register what hit you. Music that leaves you reaching for the replay button.’
Tom Robinson BBC6 Music

'I've spent the morning listening to the album. Boy, that's pretty striking stuff. Loved the trumpets!! The lyrics and arrangements made me think of a heavier Decemberists. The Crane Wife, particularly. Congratulations!’ Allan Jones (ex editor of Melody Maker and Uncut)

‘There are dustings of electric folk and jazz, and I catch Ian Dury and Auteurs vibes at times, but it’s all pleasingly vivid and theatrical in the good sense.’
Buzz Magazine

‘Imagine Bertholdt Brecht, David Bowie about to book his ticket to Berlin and John Otway had kittens and puppies, and that those hellspawn then interbred incestuously - their progeny would probably sound like "Introducing Bobby Bluff", but with the passionate intensity toned down. I can think of no higher praise than that. Brilliant stuff.’
Martin Rowson

‘The Cat of Cruickshank is elevated in its Avant-Garde style and as rough as the plot to a Ken Loach film. Coming across it almost felt like an act of serendipity in our dystopic world-weary times… that rare sense of eagerness to find out where Bluff will take his innovation next.’
ANR Factory

credits

released March 27, 2023

Written and performed by Matt Armstrong, Jude Montague and Jon Tregenna
Recorded in Hastings and Laugharne
Mastered by Synergy Mastering

Guest musicians

Andrew Morris: Sax on Vintage Vince
Mark Waldron: Violin on Council

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Bobby Bluff Hastings, UK

Martin Rowson - “Imagine Bertholdt Brecht, David Bowie about to book his ticket to Berlin and John Otway had kittens and puppies, and that those hellspawn then interbred incestuously - their progeny would probably sound like "Introducing Bobby Bluff", but with the passionate intensity toned down. I can think of no higher praise than that. Brilliant stuff.” ... more

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